![]()
This essay originally appeared in Women & Performance , Vol. 7, No. 2, Issue 14-15, Spring 1995. pp 275-286. Please feel free to reproduce this, with appropriate acknowledgements.
Let’s begin at the ending. Let’s begin at independence, the liberatory move by which oppressed peoples free themselves from their oppressors. Feminism aspires to a brand of independence. So do nationalist uprisings, especially when they are thought of as the fair fights of indigenous peoples for self-determination. For U.S. Queers, the Stonewall Riots serve as a historical mark in the struggle for independence from what Monique Wittig has termed, “The Straight Mind.”
Let’s talk about writing and independence, about writing for independence, and writing from a position of independence. The most famous project of the continental feminists (which include writers like Wittig, Helene Cixous, and Gayatri Spivak) is called, “l’ecriture feminine.” Roughly, l’ecriture feminine translates to “writing the feminine body.” Continental feminists argue that the only way to move women from a position of objectified servitude to a position of full subjectivity is for women to write the truth of their bodies. Thus, the cry to produce embodied, personal, deeply felt “feminine” writing, in one’s true voice, serves as a call for independence. You are enslaved now, the argument runs, but write your truth and you will be free. In the last twenty years, many disenfranchised peoples have employed similar calls to “write the body.” The queer “coming out ” story, and the genre of writing known as “exile narrative” are examples of how Writing (to) Independence is still a call to arms in many communities.
Let’s begin at the ending, at writing, revolution, and independence, and work backward. Sigmund Freud was the first writer to suggest that women suffering from hysteria were in truth trying to communicate in a “lost language” fundamental, psychic truths about themselves. To cure these women, Freud went against conventional medical wisdom at the time and offered instead what he called “the talking cure”Ñencouraging women to tell their stories to him. Freud himself, however, proceeded on his own path to intellectual independence somewhat differently. From the beginnings of the history of women in psychoanalysis, writing has been a key issue, but writing was only prescribed for the doctor, not the (female) patient. In retaliation, many feminist practitioners and critics of psychoanalysis have literally written over the chronicles of male doctors who pondered from a distance the hysterical female body. Indeed, one of the critical accomplishments of feminism has been women’s’ reclaiming of the ‘power of the pen’ from male doctors, in order to write new and more inclusive descriptions of women’s psychic lives. Lesbians, in particular, have produced a large body of writing, arguing that female homosexual desire, definitionally unavailable to the male imaginary, is in particular need of a written history. Lesbian theorists like Teresa deLauretis call the invisibility of same-sex female desire within psychoanalytic doctrine, “lesbian indifference.” de Lauretis often cites the case of Dora, an hysteric Freud claimed he had “failed to cure” specifically because he was unable to read her lesbian desire for another woman, as the example par excellence of lesbian indifference in the history of psychoanalytic thought. (more…)






