By Justin
Attempts to define the strand of postmodern theory in the field of contemporary international relations are often overwhelmed by the challenge of having ‘to make intelligible some of the different problematique, focii, and theoretical strategies’ [1]. As opposed to the analyses of traditional theoretical strands, which attempt to represent their approach as a coherent and unified theory, any analysis of the postmodern must be prepared to navigate what Lapid describes as a ‘confusing array of only remotely related philosophical articulations,’[2] which shelter beneath the ‘rather loosely patched-up umbrella’[3] of postmodernity. While there may be recursive images and characteristics, isolating ‘a clear definition of postmodernism that will meet with general agreement is’ – according to Devetak – ‘precisely what is not possible.’[4] Attempts to formulate a totalizing analysis of that which constitutes the postmodern are rendered impossible by postmodernity’s rejection of the very metanarratives that would be integral to such an analysis. Other than ‘an incredulity towards metanarratives’[5], and a preoccupation with ‘deconstructing and dis-trusting any account of human life that claims to have direct access to ‘the truth”[6], there is no real unifying thread underlying postmodern thought. As such, postmodern international theory lacks the navel-gazing and ongoing self-analysis which appears to be firmly embedded in the dominant discourses of other, more state-centric traditions.
Walker claims that postmodern international theory can be decoupled from its corresponding literary, philosophical, and visual manifestations. He believes that, unlike other disciplines, international relations is ‘explicitly concerned with the politics of boundaries … [seeking] to explain and offer advice about the security and transgression of borders between established forms of order and community inside and the realm of either danger (insecurity, war) or a more universalistically conceived humanity (peace, world politics) outside.’7 Der Derian agrees that international relations as a discipline is particularly conducive to postmodern approaches. It seems almost as though the international stage is a lens for those phenomena that best reveal the shortcomings of those theories the socio-political based in overarching metanarratives. In Der Derian’s opinion, ‘the complexity, ambivalence, and indeterminacy of human relations, magnified, mediated, and estranged in the international arena, make it all the more evident why a single … theory cannot explain the workings of international relations.’[8]
With no monolith of postmodern orthodoxy dominating the landscape, the means of pursuing post-modern analysis are incredibly varied; the result of a widespread appropriation of ideas and approaches from other disciplines. However, this diverse body of methodology is held together, to an extent, by the idea of deconstruction. In the context of international relations, Constantinou explains how postmodernists ’seek to deconstruct the traditional international relations framework by uncovering the assumptions and artificial construction of political identities’, resisting the tacit deference to ‘those who accredit the sovereign presences of these identities.’[9]
Der Derian believes that deconstruction is one of the only ways one can successfully analyse the international in the face of what he has heralded as a ‘crisis of modernity’; a situation in which
objective reality is displaced by textuality, modes of production and supplanted by modes of information, representation gives way to simulation, imperialism takes a back seat to the Empire of Signs; the legitimacy of tradition suffers on several counts, the unifying belief in progress fragments, and conventional wisdom becomes one of many competing rituals of power used to discipline (international) society. [10] (more…)





